GSFF review: Expensive Shit
Tolu, a Nigerian toilet attendant in a Glasgow-based nightclub is trying to earn some extra money by providing her customers…
GSFF review: Against The Tide
The short documentary by Giulia Candussi has nothing to do with the Stevenson's legacy. She is following a new candidate…
SXSW 2021: When Claude Got Shot
Gun crime and its consequences are the subject of When Claude Got Shot, a brilliantly wide-ranging and nuanced examination of…
SXSW 2021: United States Vs Reality Winner (2021)
Using tapes of the FBIs initial conversation with Winner as well as access to her family and experts in the…
SXSW 2021: Spring Valley (2021)
History is made not only by what we record but how we record it. From Goya’s War Sketches to the…
‘My Uncle Tudor’, Berlinale review: The illusion of Consent
From the start, Tudor is depicted with a sense of estrangement: through the veil, out of focus, partly hidden behind…
Review: Young Hearts (2021)
One thing is certain: no one in their right mind would ever want to go back to their teen years…
Review: One Thousand and One Attempts to Be an Ocean (2021)
Wang’s directing, essentially composed of editing short clips together in the rhythmical fashion, is apt for a piece of video-art
Review: Strange Object (2021)
Miranda Pennell’s short documentary Strange Object, which premiered recently at Berlinale Shorts, is deliberately constructed that way so the viewer…
Review: Vadim on a Walk (2021)
We meet our titular protagonist while he's sitting in a transparent square space, picking up the courage to step out…