Motorcyclist’s Happiness Won’t Fit Into His Suit (2021)
In his Berlinale Shorts contender Motorcyclist's Happiness Won't Fit Into His Suit, Gabriel Herrera paints a nonconformist picture of the…
Review: A Cop Movie (2021)
The play with different styles and formats of footage shot by the newcomer Emiliano Villanueva are coded in a clever,…
Review: Glittering Barbieblood (2021)
We are supposed to "paint-by-numbers" according to Ulu Braun, but how that's another thing.
Review: One Hundred Steps (2021)
Bob Quinn’s work 'Atlantean' is the starting point of Bárbara Wagner’s and Benjamin de Burca’s eighth joined short film 'One…
Review: A Love Song in Spanish (2021)
The family of the filmmaker Ana Elena Tejera lived in close relations to the dictatorship in Panama in the 80s,…
Review: Lost on Arrival (2020)
Jan's dream was to return to Curacao upon retirement, a place that stole his heart long time ago, where he…
Review: Rehearsal (2021)
Inspired by the theatricality of church sermons, Michael Omonua explores them from a performative angle, comparing them to theatre plays…
Berlinale Review: For Lucio (2021)
Regarding the beautifully composed and masterfully edited archival footage, the stand-out is a prolonged silent movie from the iconic Mille…
‘Tina’, Berlinale review: The Fall and Rise of a Soul Survivor
Despite securing impressive access to Tina and Bach in their luxurious Swiss home, the directors reveal very little about the…
Review: Window (2021)
A snapshot photo of the stained glass window from Edgar Jorge Baralt's childhood home in Caracas elicits memories in his…